It seems that as soon as I made a Facebook page for my blog some sort of a commitment became required from me. This instantly shut off any natural desires to write that might have been harbored by my freedom-loving self. So now I face a dilemma: discontinue the page and thus eliminate any possibility of spreading the word about this blog other than word-of-mouth? Or keep the page and figure out a way to deal with this paralyzing fear? The first solution seems easy enough... but the second one would be way more beneficial for the long-term.
Now about the topic. In a few moments that I could steal all to myself in the past couple days it suddenly hit me that my promise to be objective when starting this blog has miserably failed. Objectivity is too far beyond my reach at this point to even try and get back to it. I now have a pretty complete set of favorites in the Seattle Salsa Scene -- from DJ's, to songs, to nights out to dance, to performance groups, to leads to dance with. But that list of opinions is just that: opinion. Because although I've lost my objectivity, I have not yet gained expert knowledge about Salsa to be able to suggest that others agree with what I think.
The question is, how the heck did this happen? How did I turn from being an objective outsider to being an opinionated insider in the matter of just a few months? (Or should I say from a nice follow to a snob (and back)). And how can people who don't wish to find themselves in my shoes protect themselves from this happening? Below, I've outlined several stages of this evolution. BEWARE. And have a laugh about it too.
1. Oblivious Unawareness
If you are like me, you weren't invited to dance Salsa. Rather, one of your acquaintances ranted and raved about the experience until you gave in to the powers of curiosity and signed up for lessons to check it out yourself. During lessons you tried your best to memorize everyone's name, learn the steps, and be nice and courteous.
2. Excitement of Discovery
At the beginning of your second class series you finally worked up the courage to go to Halo to "practice" with one of your newly developed acquaintances from class. He/she decided to leave after a few songs but it didn't matter, because you soon discovered that making eye contact and smiling at a person has an 100% success rate of scoring a dance with them. You couldn't believe that real dancers were asking you to dance/agreeing to dance with you, timidly let them know that you just started, and smiled every time a turn actually worked.
3. Happy Oblivion
After a while you progressed to memorizing just the names of interesting leads in your class, as well as coming to Thursday night dances at Century Ballroom. At first you could only stay for a couple hours at a time because your entire body, not used to this amount of activity, hurt the next day, as if from learning how to snowboard. You could not feel your feet (which did not stop you from wishing there was a place where you could dance every night of the week. You were not yet aware that there WERE places like that.) But the more exciting part of dancing for you was the realization that a bunch of very diverse people are doing the same thing in one place and getting along marvelously with each other. Everyone was friendly and respectful. Finally you've found a social circle with no drama!
4. Intermediate Disappointment
You've whirled through your Salsa 1's and 2's and have started the six month long series of Salsa 3. Suddenly an awareness dawned on you that you are not as great a dancer as you thought yourself to be when you first started. You learned that a spin doesn't just happen -- it's actually preceded by a prep. You realized that if you try to put that hand up just any random way that's comfortable for you, you'll end up smacking the lead in the face. You stopped memorizing any names in your class, and dreaded dancing with the leads who clearly needed to repeat Salsa 1. You also began to hear stories from familiar leads about there supposedly being a lot of drama in the salsa scene. But you didn't believe them.
5. Commitment Token
After completing one of the classes from Salsa 3 series you decided that Salsa IS something you will stick with for a while (based on the overwhelming pull you felt towards Century and Halo every Monday, Thursday, Friday and Saturday nights.) To make it official you decided to finally invest in your very first and special pair of dance shoes. If a follow, this was preceded by a long observation of fellow follows feet, hours of fruitless trying on of pairs at local shops and finally narrowing down to and possessing the exact style, color and fit that you wanted. The first couple months of ownership were accompanied by a significant unplanned expense: band-aids. Now that you had shoes that were actually made for dancing you found yourself staying until the very end of an event one day, and to your amazement discovered that a small group of people you were somewhat familiar with stayed as well, and either kept dancing or went out to eat after the event. Not quite being in on it yet though you skipped the polite invitation to join.
6. Wishful Dancing
After watching several birthday dances and performances you have identified people that you wished you could dance like/with. Part of your time on the dance floor was now spent observing them and dreaming about how one day they would say hello to you and maybe even ask you for a dance. You have now realized that you officially suck at dancing and started taking all classes available to improve. The rumors you heard about there being a lot of drama in the scene started seeming more probable now, but you happily assured all who told you about them that you will NEVER have anything to do with any of it.
7. Social Discovery
Perhaps by chance. Perhaps by getting to know certain people more. Perhaps by a force of fate that will get everyone sooner or later, you got discovered by one of the many socialites of the scene. That socialite and you connected on facebook and they introduced you to all their closest friends in the ballroom. Suddenly you saw your friends list go from 27 to 270 in a matter of a week and your bedtime from 6pm to 6am. Work started becoming second priority. You now happily accepted all invitations to eating out and after parties.
8. Expansion of Social Comfort Zone
You got to know more and more people. And your new salsa best friend opened your eyes to the wonders of other venues to dance salsa at that you had no idea about before. To your utter amazement, some of these venues were free! Why people didn't go out to dance every single night remained a mystery to you. Your friends list on face book grew from 270 to 450.
9. Social Comfort Zone
The people you've only admired from afar before have now became your friends. The leads/follows that you only dreamed of dancing with were now the comfortable ones you grabbed at any moment you wished. You've traveled for Salsa, maybe even on more than one occasion, and became tightly acquainted with the map of who belongs to which studio and performance team. You enjoyed knowing a lot of people and got along great with everyone. The dance shoes were now worn in enough to wear without the band-aids, but the money you saved immediately went towards cover for attending the multitude of events in abundance available via facebook invitations every Friday, Saturday, and Sunday.
10. The Drama
As you got closer and closer to certain people you began to realize that the rumors you've heard about there being a lot of drama in the salsa scene were, in fact, true. Heart-to-heart conversations with now close friends revealed beef that went back decades and a variety of ghost characters that were nevertheless on everyone's mind. Too late to fix anything, it dawned on you that a lot of that drama involves conflict between two or more people that you are very close with. Thus, your determination to stay out of it didn't seem to be enough to truly stay out and you were suddenly smack in the middle of it all. You also found yourself not wanting to dance with half the room because you've danced with the best -- a disgusting habit you used to judge in others but now reluctantly admitted to having yourself.
11. The Resolve to Stay Away
Tired, in danger of losing your job because of long nights out, devoid of any social contact other than with the people from salsa, and determined to stay away from the drama draining you emotionally, you decided to back off and stop going out so much. This was immediately followed by a wave of peer pressure to go out, which felt good, but overwhelming. You didn't give in, and limited your going out to social events that couldn't be missed, such as performances and birthdays of your friends. You started missing Halo and Century and the times when salsa was nothing but a dance in which everyone was nice and respectful and where there was no drama... You got invited into Salsa 4.
12. The Come Back
Now balanced in your work life, salsa life, and life outside of salsa, you settled into a happy existence with Salsa being just one of the many parts of your life instead of it being your life. You are still close, but not co-dependent on your friends from the scene. You go out enough to keep up the skill but not enough to get sucked in again. Your job became much more pleasant because you now get to participate in a marvelous activity called "sleep." As part of your settled life one day you decided to visit the good old "Halo." It worked. The friendliness and laid-back atmosphere of the place made you wonder why the heck you didn't come back faster. You smiled and accepted every lead that asked because you realized that you are now the one who will make Salsa that magical place where everyone is nice and accepting and where there is no drama...
Showing posts with label Classics. Show all posts
Showing posts with label Classics. Show all posts
Wednesday, November 18, 2009
Monday, October 12, 2009
10 Things Found in a Salsera's Shoe bag
We all know that a woman's purse can hold all sorts of unexpected things. A lead has recently referred to mine as "Bartell Drugs" as he happened to glance in while I was searching through a myriad of very loosely organized and very miscellaneous items for some eye drops. Granted, there is barely ever a need for a Salsera to bring in her pharmacy to dance events. For one, she expects to get sweaty after a couple songs anyways, so there is no need for make-up or hair styling products. In addition, she expects to be occupied enough to be able to survive without all the wonderful entertaining items in her purse for a couple of hours. Also, her trunk presents a safer place for "valuables" than a random chair under which the purse is most likely to end up at an event. This said, there are several essentials that she absolutely cannot part with, even for a short amount of time. These she puts in her dance shoe bag (which conveniently will hold a pretty large amount of random crap.) So here are the "essentials" that you will most likely find in a shoe bag of a woman who left her purse in the trunk of the car.
1. ID
This is her passport for getting into venues of choice. Without ID the woman is pretty much helpless, or at least extremely dependent on charm and connections with owners/door guardians of the venue.
2. Money
Please do not go through Salsera's bags laying around in search of this valuable item, as the bag only serves as shelter for it until Salsera abandons Money at the door of the venue. More likely than not she brought exactly the amount required to get in, and most likely it's cash since that's the only currency a lot of venues accept.
3. Dance Shoes
Duh. That's what the shoe bag was designed for in the first place. They are Salsera's most prized possession.
4. Lip Gloss
Yes, she'll be sweaty in a second anyways, but her eye make up is most likely waterproof. Unfortunately, barely any lip gloss that is wearable comes in long lasting or waterproof options, so Salsera will come back to her "jar of vaseline" over and over throughout the night to moisturize her luscious lips so that she can charm the leads with a smile and make the dance more enjoyable for both.
5. Cell Phone
This is the item that no Salsera ever parts with, or should part with. If anything happens to friends/car/self it's her only gateway to the outside world, as well as a good source of entertainment should she get bored after all.
6. Car Keys
To be able to get to her pharmacy upon return from dance venue. More often than not Salsera locks this prized possession in the trunk along with "Bartell Drugs." That's when Cell Phone comes in handy.
7. Band Aids
Dance Shoes aren't always as nice and caring about Salsera's feet as she'd hope. Band Aids to the rescue. If it's not for her, Salsera will always be willing to share with friends who are hurting either from shoes or accidents on the floor.
8. Magic Eight Ball
To be able to quickly come up with a good line when asked if she would like to dance. Just kidding :)
9. Gum
Stacks and stacks of it that make Salsera smell like strawberries. The excessive amount is for her to share with all her friend Salsera's. Luckily Salseros don't ask for it since it's fruity and girly.
10. Eye Drops
Although Salsera is not sure why exactly that's the case, she has been asked for them twice in this past week, so now she keeps Eye Drops on her at all times to be able to come to the rescue of friends whose eyes bother them because of too little sleep/too much sweating/irritating contacts/other unknown reasons.
I'm amazed that this list does actually contain 10 items in it. I hope everyone's curiosity is now satisfied. I dare you to pick up a random shoe bag at the next venue you're at and count out how many of these items you can locate inside. Just don't take anything. Especially the magic eight ball. :)
1. ID
This is her passport for getting into venues of choice. Without ID the woman is pretty much helpless, or at least extremely dependent on charm and connections with owners/door guardians of the venue.
2. Money
Please do not go through Salsera's bags laying around in search of this valuable item, as the bag only serves as shelter for it until Salsera abandons Money at the door of the venue. More likely than not she brought exactly the amount required to get in, and most likely it's cash since that's the only currency a lot of venues accept.
3. Dance Shoes
Duh. That's what the shoe bag was designed for in the first place. They are Salsera's most prized possession.
4. Lip Gloss
Yes, she'll be sweaty in a second anyways, but her eye make up is most likely waterproof. Unfortunately, barely any lip gloss that is wearable comes in long lasting or waterproof options, so Salsera will come back to her "jar of vaseline" over and over throughout the night to moisturize her luscious lips so that she can charm the leads with a smile and make the dance more enjoyable for both.
5. Cell Phone
This is the item that no Salsera ever parts with, or should part with. If anything happens to friends/car/self it's her only gateway to the outside world, as well as a good source of entertainment should she get bored after all.
6. Car Keys
To be able to get to her pharmacy upon return from dance venue. More often than not Salsera locks this prized possession in the trunk along with "Bartell Drugs." That's when Cell Phone comes in handy.
7. Band Aids
Dance Shoes aren't always as nice and caring about Salsera's feet as she'd hope. Band Aids to the rescue. If it's not for her, Salsera will always be willing to share with friends who are hurting either from shoes or accidents on the floor.
8. Magic Eight Ball
To be able to quickly come up with a good line when asked if she would like to dance. Just kidding :)
9. Gum
Stacks and stacks of it that make Salsera smell like strawberries. The excessive amount is for her to share with all her friend Salsera's. Luckily Salseros don't ask for it since it's fruity and girly.
10. Eye Drops
Although Salsera is not sure why exactly that's the case, she has been asked for them twice in this past week, so now she keeps Eye Drops on her at all times to be able to come to the rescue of friends whose eyes bother them because of too little sleep/too much sweating/irritating contacts/other unknown reasons.
I'm amazed that this list does actually contain 10 items in it. I hope everyone's curiosity is now satisfied. I dare you to pick up a random shoe bag at the next venue you're at and count out how many of these items you can locate inside. Just don't take anything. Especially the magic eight ball. :)
Tuesday, October 6, 2009
10 Signs You Have a Salsa Crush
In case you don't read my other blog (and you should. It's at kluelessinseattle.blogspot.com), I will warn you that the number "10" in the title serves just as an attention grabber and I rarely ever actually do 10 anything. It's always either less or more. So don't be surprised.
A salsa crush is different from a regular, romantic crush in the sense that you have a strong inclination to want to brush it off, and you know way too well that it can't lead to anything serious (except maybe a serious heartbreak when things go too far.) But here are some signs that you might, perhaps, have one:
1. Your first instinct upon entry into a venue is to look around and locate that person.
2. Once you locate your crush, you walk past the spot where they are and give them a little longer than normal "hello" hug.
3. You can't seem to stop smiling while you're dancing with your crush. Even if all they can do is a basic cross-body-lead, you think their dancing is the best thing that's ever happened to you!
4. If you spot them dancing a close bachata with someone else, a cloud suddenly envelops your otherwise perfectly good night. You feel an insatiable urge to cut in and break the madness off.
5. Your kiss good bye "accidentally" ends up on the lips instead of a cheek.
6. Your favorite moves with your crush are all the ones that require close contact. If anyone else tried it on you, they'd be officially dubbed creepy.
7. You consider your greatest achievement on the floor to be that time you were successful at making them smile.
8. You think about them outside of Salsa.
9. You're not that close, but you have their biography memorized down to the dot. Girlfriends, siblings and grandparents names, pets, venues they usually attend, favorite food, cell phone number... etc.
10. You constantly check if there's anything new on their social networking site, and stay signed in on skype/icq/fb/aol/msn chat all day, hoping that they will contact you first.
11. When you see them at a place where they weren't expected, your happiness is translated into jumping them at the door and hugging until they're too out of breath to try and get you off.
12. You check your phone every couple of seconds to see if there's a text message from them.
When you do get a text message from them, you wait a half an hour before responding so they won't think that you're checking your phone every couple of seconds to see if there's a text message from them.
13. Their beer belly looks good to you. You haven't noticed yet that they're missing a couple of teeth.
14. You want to dance all your favorite songs with only that person. They have the last dance pretty much reserved.
A special thanks to Anna and Frances for their contributions that made this post happen!
A salsa crush is different from a regular, romantic crush in the sense that you have a strong inclination to want to brush it off, and you know way too well that it can't lead to anything serious (except maybe a serious heartbreak when things go too far.) But here are some signs that you might, perhaps, have one:
1. Your first instinct upon entry into a venue is to look around and locate that person.
2. Once you locate your crush, you walk past the spot where they are and give them a little longer than normal "hello" hug.
3. You can't seem to stop smiling while you're dancing with your crush. Even if all they can do is a basic cross-body-lead, you think their dancing is the best thing that's ever happened to you!
4. If you spot them dancing a close bachata with someone else, a cloud suddenly envelops your otherwise perfectly good night. You feel an insatiable urge to cut in and break the madness off.
5. Your kiss good bye "accidentally" ends up on the lips instead of a cheek.
6. Your favorite moves with your crush are all the ones that require close contact. If anyone else tried it on you, they'd be officially dubbed creepy.
7. You consider your greatest achievement on the floor to be that time you were successful at making them smile.
8. You think about them outside of Salsa.
9. You're not that close, but you have their biography memorized down to the dot. Girlfriends, siblings and grandparents names, pets, venues they usually attend, favorite food, cell phone number... etc.
10. You constantly check if there's anything new on their social networking site, and stay signed in on skype/icq/fb/aol/msn chat all day, hoping that they will contact you first.
11. When you see them at a place where they weren't expected, your happiness is translated into jumping them at the door and hugging until they're too out of breath to try and get you off.
12. You check your phone every couple of seconds to see if there's a text message from them.
When you do get a text message from them, you wait a half an hour before responding so they won't think that you're checking your phone every couple of seconds to see if there's a text message from them.
13. Their beer belly looks good to you. You haven't noticed yet that they're missing a couple of teeth.
14. You want to dance all your favorite songs with only that person. They have the last dance pretty much reserved.
A special thanks to Anna and Frances for their contributions that made this post happen!
Thursday, September 24, 2009
A Map of Century Ballroom
If you are brand new and haven't been out yet, for goodness sake don't read this post just yet! Enjoy, for as long as you can, the blissful unawareness of any kind of division going on in the room. Once you catch on by yourself... Stop by here again and get clued in on what exactly is going on. Below, is a map of century ballroom, along with an explanation of what each section means, who dances in it, and how to behave while passing through/picking a spot to settle in. I would like to thank the contributors to this post. Adrian and Anna, without you, I wouldn't have quite been able to navigate.
Ok, so let's get right to the explanations. Of course, the map is not drawn to scale, and I have zero graphic design skill, but for its purpose, the map will do fine. Each area corresponds to the color of its letter. The light blue round things are fans. Think of them as landmarks. The areas, of course, are not exclusive to their "owners." So watch out for the creeps lurking all around the ballroom and wandering into ALL areas -- claimed or not.
A
This area runs in front of the DJ booth and up to the beginning of the stairs leading on stage. We call it the "Somos-El-Son Headquarters." It's where the performing wonders of Seattle and their friends reside. Venture in if you are a really good follow, or if you are brave out of your mind. Both instructors from the group also double as DJ's. When the stars align just right, the "mighty," perched up on his pedestal, might come down and dance with the mere mortals below. But the chosen ones will most likely be their dance partner, spouse, or student. So don't hold your breath on getting a random dance with them. Of course there's a natural explanation for the location. The team members, studio followers, friends, and family are all there to support the DJ. When neither is DJ'ing, it's out of habit. It's a tight group to get through to, but has the most awesome people in it, once you get to know them. If you stick around for long enough, the SomosElSomers will start "practicing" their routine. Watch the show while it lasts! They're magnificent! And if you ARE lucky enough to get a dance with anyone sitting and standing in a straight row from the fan to the stage stairs, consider yourself blessed.
B
This is the "Pro's Performance Corner." As the title suggests, this is where the many different Pro's abide and show off their skill. It's the home of teachers, performers, and serious Salsa addicts. If you are a visiting Pro, this is where you belong (and will most likely be taken by your hosting Pro friends). If you are not a visiting Pro, keep walking until you hit a neutral space a little further off. Because if you don't have the skills to dance with the leads in that corner, you'll walk away from their dances mortified and embarrassed. It's true that they teach that a good lead adjusts to his follows' level. But the thing is that Century is not the place where they want to adjust. It's a place where they show the world what they've got. I'd suggest practicing with them at another venue first (not SeeSound...) before accepting a dance from a Pro at Century. Otherwise you might fall on your face right in front of a heavy crowd, readily stationed in that corner to observe the Pros.
This corner also hosts "Becka Line" -- the space in which you may be lucky enough to spot a firey vixen styling with out-of-this-world energy and joy. You can't miss Becka, if she's there. Some follows are good. Becka is another level. She's the one who'll grab your attention and keep it all the while she's on the floor, making you forget why you came there. And I should probably dedicate an entire post to her, since I am having real trouble narrowing down all the good things I have to say about this amazing lady.
C
Never quite stationary, and always lurking on the lookout for prey, the Creeps tend to navigate towards this space a little more heavily than anywhere else in the room. They know that this is where the good follows wait for the Pro's to ask them. Not only that, but they've figured out that the person they are stalking WILL have to come here at some point of the night to get water. The difference between a Creep and a Pro is easily detectable. If you didn't just see this guy do seventeen spins right in front of you, and he all of a sudden grew out of nowhere in front of your face, beware! He's NOT a Pro! This area is generally safe to be in if you are there with friends who are readily available to stage a "serious conversation" as soon as they see a Creep approach. Stay away if you have a weak nervous system or trouble saying "no" to people.
D
This is a pretty large space dedicated entirely to beginners. It's unclear exactly why the beginners chose this space. But my guess is that it's because they are afraid to venture deeper into the ballroom after checking their coat and descending from the stairs. This is probably the friendliest space in the ballroom. It has no barriers or expectations. And no, not everyone there is a beginner. Some people are quite good, especially considering that a lot of students don't even find out about social dancing until after they've finished their first set of class. And most class-takers don't get the guts to go to Century until the end of their second class session. But most importantly, it's a section very dear to each and every Seattle Salsero/a's heart. Because that's where all of us started. That's where the Social part of Social Dancing plays out the most. And that's the reason that once in a while you'll see a Pro get lost in the sea of beginners. He or She is out here to reminisce about the time when it all was simple, uncomplicated, new, exciting and innocent. And to give the timid beginners a chance, because someone was kind enough to give it to them when they were just starting.
E
This is the tiny space of the Lost Cuban Dancers who are unaware that they are in a ballroom. Young and Old, (and not necessarily from Cuba -- I am talking about the style of dance, not the nationality!) they stand in front of the window and watch for passing victims. If you are aware that the dance is different than ballroom, and know how it works, definitely dance with them! But if you aren't too much into arm-twisting and repetitiveness... pass the space with your head down, avoiding all eye contact. Just look straight ahead into the next section. That's a safe one.
F
This section is safe because no one has been quite able to identify who the "owner" of it is. This is a grey area. There isn't one face that's permanently associated with the space. It hosts new people every time. I want to say that this is where the ones who came to watch the dancing, plop themselves down. Because the tables are abundant, and far enough away from the dance floor to be able to "hide-out." But it also safely hosts people who are really good, but unwilling or unable to associate themselves with any other "crowd." Pro's occasionally venture in as well, either because they need more space, or because they need a different audience. Or because they came with a girlfriend who's not as good, and don't want to embarrass her in front of the expectant crowd at their regular base, which is very nice of them. Basically, this is a very neutral space to be in. Go here if you're trying to preserve yourself as an individual. Don't go here if you're trying to get "noticed."
G
And last, but not least, welcome to the area of happy intermediates & good follows. All these people are sitting on stage or on the stairs and taking a break while chatting to each other about class and the weekend. But they are ready to get down and dance at a moments' notice. They have more skill than the beginners, but aren't quite at the level of the Pro's just yet. Some people stay in this area for life, simply because they're out to have fun, and not to perform. It's extremely non-threatening, and carries a very joyous energy. The area extends into the beginner section for a very practical reason: there's a fan over there. And everyone wants some of it.
I hope that this map helps you get a little more acquainted with the space that's central to Seattle Salsa scene. I have to say though, that this was intended to be more of an entertainment piece than rules to live by. As always, views presented in the post are solely my opinion, and don't have to be shared by anyone else. And if you read this before you became aware of it yourself, I'm sorry that I spoiled your stage of innocence. But don't worry. It only gets better from here ;)
Ok, so let's get right to the explanations. Of course, the map is not drawn to scale, and I have zero graphic design skill, but for its purpose, the map will do fine. Each area corresponds to the color of its letter. The light blue round things are fans. Think of them as landmarks. The areas, of course, are not exclusive to their "owners." So watch out for the creeps lurking all around the ballroom and wandering into ALL areas -- claimed or not.
A
This area runs in front of the DJ booth and up to the beginning of the stairs leading on stage. We call it the "Somos-El-Son Headquarters." It's where the performing wonders of Seattle and their friends reside. Venture in if you are a really good follow, or if you are brave out of your mind. Both instructors from the group also double as DJ's. When the stars align just right, the "mighty," perched up on his pedestal, might come down and dance with the mere mortals below. But the chosen ones will most likely be their dance partner, spouse, or student. So don't hold your breath on getting a random dance with them. Of course there's a natural explanation for the location. The team members, studio followers, friends, and family are all there to support the DJ. When neither is DJ'ing, it's out of habit. It's a tight group to get through to, but has the most awesome people in it, once you get to know them. If you stick around for long enough, the SomosElSomers will start "practicing" their routine. Watch the show while it lasts! They're magnificent! And if you ARE lucky enough to get a dance with anyone sitting and standing in a straight row from the fan to the stage stairs, consider yourself blessed.
B
This is the "Pro's Performance Corner." As the title suggests, this is where the many different Pro's abide and show off their skill. It's the home of teachers, performers, and serious Salsa addicts. If you are a visiting Pro, this is where you belong (and will most likely be taken by your hosting Pro friends). If you are not a visiting Pro, keep walking until you hit a neutral space a little further off. Because if you don't have the skills to dance with the leads in that corner, you'll walk away from their dances mortified and embarrassed. It's true that they teach that a good lead adjusts to his follows' level. But the thing is that Century is not the place where they want to adjust. It's a place where they show the world what they've got. I'd suggest practicing with them at another venue first (not SeeSound...) before accepting a dance from a Pro at Century. Otherwise you might fall on your face right in front of a heavy crowd, readily stationed in that corner to observe the Pros.
This corner also hosts "Becka Line" -- the space in which you may be lucky enough to spot a firey vixen styling with out-of-this-world energy and joy. You can't miss Becka, if she's there. Some follows are good. Becka is another level. She's the one who'll grab your attention and keep it all the while she's on the floor, making you forget why you came there. And I should probably dedicate an entire post to her, since I am having real trouble narrowing down all the good things I have to say about this amazing lady.
C
Never quite stationary, and always lurking on the lookout for prey, the Creeps tend to navigate towards this space a little more heavily than anywhere else in the room. They know that this is where the good follows wait for the Pro's to ask them. Not only that, but they've figured out that the person they are stalking WILL have to come here at some point of the night to get water. The difference between a Creep and a Pro is easily detectable. If you didn't just see this guy do seventeen spins right in front of you, and he all of a sudden grew out of nowhere in front of your face, beware! He's NOT a Pro! This area is generally safe to be in if you are there with friends who are readily available to stage a "serious conversation" as soon as they see a Creep approach. Stay away if you have a weak nervous system or trouble saying "no" to people.
D
This is a pretty large space dedicated entirely to beginners. It's unclear exactly why the beginners chose this space. But my guess is that it's because they are afraid to venture deeper into the ballroom after checking their coat and descending from the stairs. This is probably the friendliest space in the ballroom. It has no barriers or expectations. And no, not everyone there is a beginner. Some people are quite good, especially considering that a lot of students don't even find out about social dancing until after they've finished their first set of class. And most class-takers don't get the guts to go to Century until the end of their second class session. But most importantly, it's a section very dear to each and every Seattle Salsero/a's heart. Because that's where all of us started. That's where the Social part of Social Dancing plays out the most. And that's the reason that once in a while you'll see a Pro get lost in the sea of beginners. He or She is out here to reminisce about the time when it all was simple, uncomplicated, new, exciting and innocent. And to give the timid beginners a chance, because someone was kind enough to give it to them when they were just starting.
E
This is the tiny space of the Lost Cuban Dancers who are unaware that they are in a ballroom. Young and Old, (and not necessarily from Cuba -- I am talking about the style of dance, not the nationality!) they stand in front of the window and watch for passing victims. If you are aware that the dance is different than ballroom, and know how it works, definitely dance with them! But if you aren't too much into arm-twisting and repetitiveness... pass the space with your head down, avoiding all eye contact. Just look straight ahead into the next section. That's a safe one.
F
This section is safe because no one has been quite able to identify who the "owner" of it is. This is a grey area. There isn't one face that's permanently associated with the space. It hosts new people every time. I want to say that this is where the ones who came to watch the dancing, plop themselves down. Because the tables are abundant, and far enough away from the dance floor to be able to "hide-out." But it also safely hosts people who are really good, but unwilling or unable to associate themselves with any other "crowd." Pro's occasionally venture in as well, either because they need more space, or because they need a different audience. Or because they came with a girlfriend who's not as good, and don't want to embarrass her in front of the expectant crowd at their regular base, which is very nice of them. Basically, this is a very neutral space to be in. Go here if you're trying to preserve yourself as an individual. Don't go here if you're trying to get "noticed."
G
And last, but not least, welcome to the area of happy intermediates & good follows. All these people are sitting on stage or on the stairs and taking a break while chatting to each other about class and the weekend. But they are ready to get down and dance at a moments' notice. They have more skill than the beginners, but aren't quite at the level of the Pro's just yet. Some people stay in this area for life, simply because they're out to have fun, and not to perform. It's extremely non-threatening, and carries a very joyous energy. The area extends into the beginner section for a very practical reason: there's a fan over there. And everyone wants some of it.
I hope that this map helps you get a little more acquainted with the space that's central to Seattle Salsa scene. I have to say though, that this was intended to be more of an entertainment piece than rules to live by. As always, views presented in the post are solely my opinion, and don't have to be shared by anyone else. And if you read this before you became aware of it yourself, I'm sorry that I spoiled your stage of innocence. But don't worry. It only gets better from here ;)
Tuesday, August 18, 2009
The Characters of Salsa: Transported and Improved
I wrote this post on my personal blog (if you're so interested... kluelessinseattle.blogspot.com), along with a bunch of other Salsa-related articles that can be located at http://kluelessinseattle.blogspot.com/search/label/Salsa. Since then, I've thought of a couple more groups to add to the list of characters, and also got two great responses from leads, both of which you should check out immediately upon finishing this article. They are at http://projectprime.blogspot.com/2009/07/characters-of-salsa-reversed.html and http://www.facebook.com/home.php?#/note.php?note_id=105698189124 Enjoy!
The Characters of Salsa
Ok, so by now probably all of you know that I take Salsa. I didn't start that long ago, and therefore didn't consider myself expert enough to write about it. Then I noticed how my perception of Salsa changed over time and decided that it'd be fun to read what I used to think. So here's a break down of all the characters I've spotted on the dance floor so far. Of course, this is from the perception of a follow. All characters have been made up, so any similarity you might see with your own self is pure coincidence. Ok, that was a little white lie. But honestly, all of these are based on more than one person, (yes, even the teachers - I've had the pleasure of dancing with at least six by now!) so if you see yourself, know at least that you're not the only one! Conversely.. some leads might exhibit more than one character at once. Don't ask me later which one is you. If I'm still dashing to dance with you, you probably aren't any of the bad ones :) And follows... I'm sure you'll enjoy and agree! Let me know if I missed some characters.
Mr. Twistie: the lead who uses enough force to get you flying to the other coast of the pacific! This one will hurt you. He can’t lead, and compensates for that with sheer force. You will feel like you’ve just been taken in by fifty cops who are all trying to handcuff you in the back.
Mr. U-turn: As in YOU turn, and not him. This one thinks that his skill as a lead is measured by the amount of turns he can fit in one song. You’ll come out lightheaded at the least.
The Spinnster: even worse than Mr. U-turn. His only skill is turning you multiple times followed by a dip. By multiple I mean ten-fifteen times. That’s all he’ll do the entire song. Prep, spin, dip. Prep, spin, dip. If you can make it to the window after the dance without falling on your face, you’re good. Never dance with him again.
The Grandpa Who Can Barely Move: that’s pretty self-explanatory. He can barely walk, much less can he dance. For the first 20 seconds you will admire that Salsa is addicting enough for people to want to still go out at this age. You will soon start worrying that the grandpa will fall over if you make too large a step. Then you’ll just be bored. Barely moving grandpas are an excellent way to learn to keep your steps small though. As in microscopic.
The Older Creep: He wants to dance with you all the time. More than one song a night. He’s counting on you feeling bad to turn him down. But you can tell that his eyes are imagining what’s underneath your dress. The dance with this one will consist mostly of you trying to keep his hands as far away from your body as physically possible while still dancing Salsa. You will avoid all future eye contact.
The Younger Creep: His first question to you will be “are you single?” Next, he will proclaim that in a week he will be your boyfriend/husband/lover. This dancer will amaze you with his blatant audacity to stare at your chest. He will then stalk you and wonder why the heck you don’t want to dance with him again. He will claim that you were such good friends and then something happened. This is a good time to mention that he never bothered to ask your name. There’s a slight chance that at this point he’ll abandon all future references to your “good” friendship.
The Scary Teacher: He is the one who has some special style that’s impossible to follow, but you really, really want to, because you want him to think that you are good enough. It will take forever to adjust to him. Leave trying to dance with this one until you are at least in Salsa 4.
The Secret Teacher: He is the lead that you can’t get enough of. He mentions something about a totally different area of work that he does, and tries to never mention his true profession: teaching Salsa. Once you find out from somebody else, he blushes and acts all bashful. But trust me, on the inside he likes the praises, so bring out some more! This is the person whose tips you want to listen to.
Too Much of a Good Thing: This guy is good. At first you couldn’t wait to dance with him, but now… it just got old. Because he asked you every other song ever since he discovered that you go out dancing to the same place as him. He couldn’t keep the mystery.
The Mysterious Pro: He is part of a dance team and barely travels around the floor. He waits until the lady’s flock to him. Then he chooses. Or not. After all, he doesn’t have to be dancing every song. He’s too good for that. If you are a mere mortal, you will NOT get to dance with this guy.
The Mysterious Loner: He travels the side of the floor and once in a while you might even catch his eye. He might even smile at you and come up. Then he’ll stand nearby, but never ask you. You will wonder what the heck is going on and keep thinking about him for the entire duration of the night. He will be the one for whom you’ll break your promise to yourself to never ask a guy to dance. Then he’ll get you thinking that he’s just… shy. But maybe it’s just part of his game.
The Guy From Your Class: He’s not that good yet, but you know exactly what he’s trying to do, because he’s from your class! So somehow it works. This is the guy you’ll love dancing with just because you two can laugh at each others’ mistakes and still have a good time. Unless you are the snobby follow who thinks she’s too good for three fourths of the dance floor. Then it’s your loss honey. Because you’re missing out on the “social” part of social dancing!
The Know-It-All: He will constantly comment on how your feet are not moving the right way. That’s because in his head, the counting somehow missed the connection to the music. He moves at his own rhythm, and is very much possible to dance with, if you catch the rhythm and ignore the beat of what’s playing at the time. Since what’s playing is probably blasting, this will be hard. It will be even harder not to laugh in his face or want to make a sarcastic comment back at him when he says that you are not moving to the beat. But resist the urge. He has no clue that he’s not moving the right way. All your comment will do is create resentment, and possibly even badmouthing to other leads.
The Want-To-Learn: Be careful to distinguish between this guy and a know-it-all. The way you’ll know is probably because he won’t comment that you are moving the wrong way. He doesn’t really catch the rhythm either, but he knows about it and wants to learn! If you are gentle, he can very much be reminded that he needs to pause on three. And he needs to be reminded that, otherwise he won’t be a good lead! Ever. And he wants to!
The Beginner: You’ll know this one because he’s either 1. Too afraid to step out on the dance floor because he knows he sucks. 2. Is blissfully unaware that he sucks yet, and asks everyone to dance. This guy knows one turn. And if he’s stepping to the right beat he’s actually completely still possible to have fun with! Unless you are the aforementioned snobby follow who’s too good for three fourths of the dance floor. Give them a chance people and stop treating beginners like leprechauns! At one point you were a beginner as well.
The Hip-Hop Invasion: He thinks that Salsa is not really Salsa. And Quick-Quick-Slow, Quick-Quick-Slow, can be totally substituted with Slow-Slow-Slow-Slow. This is actually not a bad example of a lead, as many of you might think. They are a lot of fun and very inspiring, at least for me. But I can see how faithful Salseras might be offended by their shameless hip-hop invasion.
Mr. Lookin-Good: a.k.a. Mr. Selfish. His only goal in the dance is to look good. Not as a couple. Just him. He has style. He’ll do weird turns, weird hand movements and be overall smooth and fly. He doesn’t give jack if you can’t follow him or feel uncomfortable with his moves. He doesn’t care if you just stand there as well. All he cares about is looking good. He’s fun to dance with the first time, but then it just gets a little funny and ridiculous. After all, it takes two to Tango. Well it takes two to Salsa as well. This guy just forgot.
Mr. Puppet: He THINKS he’s fly. At least Mr. Lookin-Good really WAS. This guy is doing something with his body that reminds you either of pre-mortal convulsions or the devil doing his dance around you. He looks ridiculous. In fact, he looks so ridiculous that you are having a difficult time not laughing at him. He looks like a cross between a puppet on a string and a Billy goat. He might not be a bad lead, but he’s embarrassing to dance with, even for the follow who’s not too good for three fourths of the dance floor. If one of these got a hold of you, enjoy the show. Just try to pass your laughter for having a good time.
The Lost Cuban Dancer: He should ideally be at a Latin club somewhere by the docks. How the heck he wandered into a ballroom is a mystery both to him and to everyone else there. Technically he's dancing Salsa, but there really should be another name for it. The right grip is a concept never discovered by him -- it's grab and go. There's no pausing in his mind (or feet). Most likely he doesn't speak English either, so no point inquiring if he's dancing on one or on two. (He's dancing on both/neither by the way, so even if you did ask, you'd get nowhere.) Just try to pretend you are on a beach in the Caribbean, and are having an exotic experience. At the end of the song, tell him about the Latin club by the docks. Make sure he understands your kindness is not an offer to join him there later in the night.
The Perfect Lead: Luckily, the characters above do not compile the majority of the dance floor. This character is based on WAY more than one, two or even five leads. He’s considerate. He’s smooth. He doesn’t make you feel stupid. He moves on time. He's feeling the music. He’s not pretentious and invokes no feelings of inferiority, suspense, embarrassment, or fear (for your safety or your ligaments’ health). He is himself. And you can be yourself with him. While dancing Salsa. That’s social dancing to me!
P.S.:
Mr. Extra Perfect: Unlike all the characters above, this one's only based on one real person. He's The Perfect Lead. And if he ever messes up, he gives you chocolate. You know who you are. :) :) :)
The Characters of Salsa
Ok, so by now probably all of you know that I take Salsa. I didn't start that long ago, and therefore didn't consider myself expert enough to write about it. Then I noticed how my perception of Salsa changed over time and decided that it'd be fun to read what I used to think. So here's a break down of all the characters I've spotted on the dance floor so far. Of course, this is from the perception of a follow. All characters have been made up, so any similarity you might see with your own self is pure coincidence. Ok, that was a little white lie. But honestly, all of these are based on more than one person, (yes, even the teachers - I've had the pleasure of dancing with at least six by now!) so if you see yourself, know at least that you're not the only one! Conversely.. some leads might exhibit more than one character at once. Don't ask me later which one is you. If I'm still dashing to dance with you, you probably aren't any of the bad ones :) And follows... I'm sure you'll enjoy and agree! Let me know if I missed some characters.
Mr. Twistie: the lead who uses enough force to get you flying to the other coast of the pacific! This one will hurt you. He can’t lead, and compensates for that with sheer force. You will feel like you’ve just been taken in by fifty cops who are all trying to handcuff you in the back.
Mr. U-turn: As in YOU turn, and not him. This one thinks that his skill as a lead is measured by the amount of turns he can fit in one song. You’ll come out lightheaded at the least.
The Spinnster: even worse than Mr. U-turn. His only skill is turning you multiple times followed by a dip. By multiple I mean ten-fifteen times. That’s all he’ll do the entire song. Prep, spin, dip. Prep, spin, dip. If you can make it to the window after the dance without falling on your face, you’re good. Never dance with him again.
The Grandpa Who Can Barely Move: that’s pretty self-explanatory. He can barely walk, much less can he dance. For the first 20 seconds you will admire that Salsa is addicting enough for people to want to still go out at this age. You will soon start worrying that the grandpa will fall over if you make too large a step. Then you’ll just be bored. Barely moving grandpas are an excellent way to learn to keep your steps small though. As in microscopic.
The Older Creep: He wants to dance with you all the time. More than one song a night. He’s counting on you feeling bad to turn him down. But you can tell that his eyes are imagining what’s underneath your dress. The dance with this one will consist mostly of you trying to keep his hands as far away from your body as physically possible while still dancing Salsa. You will avoid all future eye contact.
The Younger Creep: His first question to you will be “are you single?” Next, he will proclaim that in a week he will be your boyfriend/husband/lover. This dancer will amaze you with his blatant audacity to stare at your chest. He will then stalk you and wonder why the heck you don’t want to dance with him again. He will claim that you were such good friends and then something happened. This is a good time to mention that he never bothered to ask your name. There’s a slight chance that at this point he’ll abandon all future references to your “good” friendship.
The Scary Teacher: He is the one who has some special style that’s impossible to follow, but you really, really want to, because you want him to think that you are good enough. It will take forever to adjust to him. Leave trying to dance with this one until you are at least in Salsa 4.
The Secret Teacher: He is the lead that you can’t get enough of. He mentions something about a totally different area of work that he does, and tries to never mention his true profession: teaching Salsa. Once you find out from somebody else, he blushes and acts all bashful. But trust me, on the inside he likes the praises, so bring out some more! This is the person whose tips you want to listen to.
Too Much of a Good Thing: This guy is good. At first you couldn’t wait to dance with him, but now… it just got old. Because he asked you every other song ever since he discovered that you go out dancing to the same place as him. He couldn’t keep the mystery.
The Mysterious Pro: He is part of a dance team and barely travels around the floor. He waits until the lady’s flock to him. Then he chooses. Or not. After all, he doesn’t have to be dancing every song. He’s too good for that. If you are a mere mortal, you will NOT get to dance with this guy.
The Mysterious Loner: He travels the side of the floor and once in a while you might even catch his eye. He might even smile at you and come up. Then he’ll stand nearby, but never ask you. You will wonder what the heck is going on and keep thinking about him for the entire duration of the night. He will be the one for whom you’ll break your promise to yourself to never ask a guy to dance. Then he’ll get you thinking that he’s just… shy. But maybe it’s just part of his game.
The Guy From Your Class: He’s not that good yet, but you know exactly what he’s trying to do, because he’s from your class! So somehow it works. This is the guy you’ll love dancing with just because you two can laugh at each others’ mistakes and still have a good time. Unless you are the snobby follow who thinks she’s too good for three fourths of the dance floor. Then it’s your loss honey. Because you’re missing out on the “social” part of social dancing!
The Know-It-All: He will constantly comment on how your feet are not moving the right way. That’s because in his head, the counting somehow missed the connection to the music. He moves at his own rhythm, and is very much possible to dance with, if you catch the rhythm and ignore the beat of what’s playing at the time. Since what’s playing is probably blasting, this will be hard. It will be even harder not to laugh in his face or want to make a sarcastic comment back at him when he says that you are not moving to the beat. But resist the urge. He has no clue that he’s not moving the right way. All your comment will do is create resentment, and possibly even badmouthing to other leads.
The Want-To-Learn: Be careful to distinguish between this guy and a know-it-all. The way you’ll know is probably because he won’t comment that you are moving the wrong way. He doesn’t really catch the rhythm either, but he knows about it and wants to learn! If you are gentle, he can very much be reminded that he needs to pause on three. And he needs to be reminded that, otherwise he won’t be a good lead! Ever. And he wants to!
The Beginner: You’ll know this one because he’s either 1. Too afraid to step out on the dance floor because he knows he sucks. 2. Is blissfully unaware that he sucks yet, and asks everyone to dance. This guy knows one turn. And if he’s stepping to the right beat he’s actually completely still possible to have fun with! Unless you are the aforementioned snobby follow who’s too good for three fourths of the dance floor. Give them a chance people and stop treating beginners like leprechauns! At one point you were a beginner as well.
The Hip-Hop Invasion: He thinks that Salsa is not really Salsa. And Quick-Quick-Slow, Quick-Quick-Slow, can be totally substituted with Slow-Slow-Slow-Slow. This is actually not a bad example of a lead, as many of you might think. They are a lot of fun and very inspiring, at least for me. But I can see how faithful Salseras might be offended by their shameless hip-hop invasion.
Mr. Lookin-Good: a.k.a. Mr. Selfish. His only goal in the dance is to look good. Not as a couple. Just him. He has style. He’ll do weird turns, weird hand movements and be overall smooth and fly. He doesn’t give jack if you can’t follow him or feel uncomfortable with his moves. He doesn’t care if you just stand there as well. All he cares about is looking good. He’s fun to dance with the first time, but then it just gets a little funny and ridiculous. After all, it takes two to Tango. Well it takes two to Salsa as well. This guy just forgot.
Mr. Puppet: He THINKS he’s fly. At least Mr. Lookin-Good really WAS. This guy is doing something with his body that reminds you either of pre-mortal convulsions or the devil doing his dance around you. He looks ridiculous. In fact, he looks so ridiculous that you are having a difficult time not laughing at him. He looks like a cross between a puppet on a string and a Billy goat. He might not be a bad lead, but he’s embarrassing to dance with, even for the follow who’s not too good for three fourths of the dance floor. If one of these got a hold of you, enjoy the show. Just try to pass your laughter for having a good time.
The Lost Cuban Dancer: He should ideally be at a Latin club somewhere by the docks. How the heck he wandered into a ballroom is a mystery both to him and to everyone else there. Technically he's dancing Salsa, but there really should be another name for it. The right grip is a concept never discovered by him -- it's grab and go. There's no pausing in his mind (or feet). Most likely he doesn't speak English either, so no point inquiring if he's dancing on one or on two. (He's dancing on both/neither by the way, so even if you did ask, you'd get nowhere.) Just try to pretend you are on a beach in the Caribbean, and are having an exotic experience. At the end of the song, tell him about the Latin club by the docks. Make sure he understands your kindness is not an offer to join him there later in the night.
The Perfect Lead: Luckily, the characters above do not compile the majority of the dance floor. This character is based on WAY more than one, two or even five leads. He’s considerate. He’s smooth. He doesn’t make you feel stupid. He moves on time. He's feeling the music. He’s not pretentious and invokes no feelings of inferiority, suspense, embarrassment, or fear (for your safety or your ligaments’ health). He is himself. And you can be yourself with him. While dancing Salsa. That’s social dancing to me!
P.S.:
Mr. Extra Perfect: Unlike all the characters above, this one's only based on one real person. He's The Perfect Lead. And if he ever messes up, he gives you chocolate. You know who you are. :) :) :)
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